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I didn't expect it to leave me blown away by it. After blowing me away with his thoughtful approach to science fiction with Arrival, and his impressive work with Sicario, Enemy, and Prisoners - I felt that this film at least would be interesting. It's when Villeneuve came on board that I actually got a little excited about what Blade Runner 2049 could be. With some help by Logan writer Michael Green, Ridley Scott then took the bold step of removing himself as Director and handing the reigns to Denis Villeneuve. I took things a little more seriously when Scott brought in original Blade Runner screenwriter Hampton Fancher to get cracking at a script. I never took the idea seriously but was intrigued with where it could go. Round about the same time that Ridley Scott was unraveling his expanded Alien universe with Prometheus, he started early rumblings of a return to Blade Runner. I just couldn't believe that it was actually that good. But the bottom line feeling that was fueling my thoughts was just how incredible the film was. Blade Runner 2049 brought up so many thought-provoking ideas about heady issues and themes like love, having a soul, and what it means to be human that I needed to take a walk for a mile or two to process everything. They didn't screw it up!" In actuality, after sitting through the credits I walked out of the theater speechless, in a stupor. I was expecting to walk out of the theater thinking "That was pretty good. I didn't want to believe that Blade Runner 2049 could even come close to being as good as it is. As I detailed in my review for the 4K Ultra HD Blu-ray release of Blade Runner, I discovered the film under pretty unique and very memorable circumstances that made me an instant fan of that film. So close that the margin of difference is really only quantifiable to that moment of first discovery. While I won't go so far as to say that Blade Runner 2049 is as good as or better than the original Blade Runner, it gets pretty damn close. To find the truth, K must seek out assistance from a former Blade Runner known as Deckard (Harrison Ford) who has been missing for over thirty years. Everything changes when K uncovers a mystery so deeply rooted in society that it risks the future of mankind. Get up, go to work, kill, and come home to his holographic AI girlfriend Joi (Ana de Armas). In this landscape of ecological collapse, K's life is routine. More human than human, he is part of a division of the LAPD under Lieutenant Joshi (Robin Wright) whose sole purpose on Earth is to kill those like himself. K (Ryan Gosling) is a Blade Runner, an assassin assigned with tracking down and retiring late model Replicants who weren't pre-programmed with a built-in lifespan. With decades of expectations stacked against it in addition to my personal bias, somehow Blade Runner 2049 emerged as an incredible sequel that not only proves its worth but expands and builds upon the foundations its predecessor. But as with most nostalgic properties these days, we got one. Ridley Scott's 1982 science fiction noir masterpiece Blade Runner never needed a sequel. Speed proved you could only go so far with a concept before it completely sputters out. As much as I was delighted and thoroughly entertained by The Sting, I never needed another one.
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While I do enjoy the sequels, Rocky never needed another round in the ring. Whether or not the film comes to a close with an open-ended finale suggesting that there could be more adventures, some things are better left alone. "Sometimes to love someone, you got to be a stranger."